Master Class : "Amanda Muggleton is sublime and devastating as La divina in Master Class." Adelaide Sunday Mail

Master Class : "Amanda Muggleton is Maria Callas... this is probably the peformance of her life." The Age, Melbourne, 2001

Privates On Parade : "Amanda Muggleton as always never seems to strike a false note." TV Week, 1 November 1980

Bremen Coffee : "Amanda Muggleton makes a compelling figure out of the meek, highly religious lady who seeks freedom from male domination." The Australian, 12 May, 1980

Bremen Coffee : "and the cast, particularly Amanda Muggleton as the muderess Geesche Gottfried, had the opening night audience in fits of laughter." The Sun, 6 October 1980

Bremen Coffee : "The production is impeccable. Amanda Muggleton plays the woman's role with an unruffled air and a nice sense of style." The Age, 9 May 1980

Antigone : "Muggleton's Antigone is passionate and deeply felt." The Age, April 1979

Antigone : "Amanda Muggleton gives a riveting performance in the title role." The Melbourne Times, 25 April 1979

Measure For Measure : "Amanda Muggleton is an outstanding Isabella." The Advocate, 5 April i1979

Measure For Measure : "But the most outstanding performance is by Amanda Muggleton as Isabella, the intended nun. She combines a saintly sweetness with an unreasonable selfishness." The Sun, 26 March 1979

Dirty Linen : "Amanda Muggleton, who i might mention, is the most luscious drop of talent I've seen on stage in a long time." Melbourne News, 16 February 1979

Hello & Goodbye : "...succeeds both through the strength of Fugard's language and human vision and through an excellent performance by Amanda Muggleton as the girl." National Times, 12 July 1976

Macbeth : "Amanda as Lady Macbeth shows that the good form exhibited at La Mama in Fugard's 'Hello & Goodbye' is no flash in the pan." The Australian, July 1976